It was Foucault that posited that power would eventually be located in “just the inspecting gaze”, and as an exhibitionist, there always been something thrilling in playing with notions of performance, spectacle and voyeurism. These ideas inspired my latest teaser, a neon-drenched homage to Tokyo Decadence and the all-seeing eye of the surveillance (or selfie) camera. It’s something of a departure from my previous pastel confection, but made by the same brilliant videographer. Music is by The Knife, because it seems I’m incapable of making a promo without an electronic soundtrack, and I’m wearing Agent Provocateur corsetry and my favourite 5″ heels. Feast your eyes below.
2021 — Louisa Knight